Napoléon : la polyvision d’Abel Gance/ Abel Gance’s Polyvision
In 1925, Abel Gance was the first director to use three cameras for shooting his movie Napoleon. By the juxtaposition of the three images he obtained a very large screen, three times the traditional format. This process, called « Polyvision », allows to increase not only the area shown by the images, but also to multiply the…